Situation-comedy Television Shows Of The 1950s Portrayed American Families As:

Situation-comedy Television Shows Of The 1950s Portrayed American Families As: – When television entered American living rooms in the years following World War II, it took less than a decade for it to overtake radio as the nation’s dominant form of entertainment. Between 1948 and 1959, the years now considered “Television’s Golden Age”, a mix of pioneering programs, from “Howdy Doody” to “I Love Lucy” to “Dragnet”, began to create and define television – and with it the Culture of ‘Americans.

While the new technology was introduced before the war, it was not until 1947 that full commercial television began. At first, few stations were active, with limited radio coverage. But as the number of stations, channels and programs increased, so did television sales: the number of American households with televisions rose from 2% in 1948 to 90% in 1960.

Situation-comedy Television Shows Of The 1950s Portrayed American Families As:

Things come alive, thousands of miles away, from their living rooms or local halls. About 29 million people nationwide watched Dwight Eisenhower’s inauguration in 1953. 14 years later, 45 million football fans watched the thrilling NFL championship game between the Baltimore Colts and New York Giants, helping to start the nation’s enduring love affair with television. and football.

Classic Tv Shows Set In New York City

Television journalists dominated and fascinated the entire country. Within two months of its 1948 premiere, Milton Berle’s “Texco Theater of the Stars” was so popular that it was the only network program not to be fronted by Harry Truman in an election announced by Thomas Dewey. On the same day that real-life comedian Lucille Ball gave birth by C-section, 44 million households — or nearly three-quarters of television owners — tuned in to watch her television alter-ego, Lucy Ricardo, drop into the hospital to give birth to little Ricky. .


Some have derided these plays as “home movie favorites”—in part because many of the most popular and respected actors and directors were busy in movies, on Broadway, or in vaudeville. So the young producers turned out great talent, helping to launch or advance the careers of Helen Hayes, James Dean, Cloris Leachman, Jack Lemmon, and William Shatner, among others. Young writers such as Gore Vidal, Paddy Czefsky, and Rod Serling wrote and published weekly anthologies that became considered television honors.

Television comedy first became popular when entertainer Milton Burrell brought a vaudeville mix of music, comedy, animals and jugglers to the living room with the Texaco Star variety show.

Mary Tyler Moore

Comedian Berl, who usually opens the show in an embarrassing outfit, did so with a big laugh. Movie ticket sales plummeted the night his show aired. Restaurants left before press time. His story is about a strange thing that happened in Detroit: when he stamped at nine in the evening, the water in the city’s reservoirs would run low because everyone was rushing to the bathroom. When “Uncle Milty” left the show in 1956 after eight seasons, he was credited with a dramatic increase in national television sales, earning him the nickname “Mr. Television.”

Its success paved the way for other actors with different competitions – perhaps most notably Ed Sullivan.

The magazine called him the “male role model” of Hollywood. “Hopalong Cassidy” and “The Lone Ranger” (both 1949-57) led a long line of small-arms superheroes whose job it was to help the authorities defeat the villains. The show may have been shot too much for the California sound with bad script, however

They proclaimed their heroes, “Their teeth are chattering, their biceps are blooming, their guns are blazing right there in the saloon.”

The Real Mccoys

“The Lone Ranger,” who roamed the confines of the small screen on his horse Silver and his Native American companion Tonto, was the No. 1 hit in the early 1950s. By 1959, 30 Westerns dominated primetime, and sales product explosion. Sales of the Hopalong Cassidy lunch box, the first to carry the photo, went from 50,000 to 600,000 in one year.

In the 1960s, audiences for romantic Westerns began to decline — except for “Gunsmoke” (1955-75), the second Western series written for adults. Mixing martial arts with psychological drama and social issues such as rape and civil disobedience made it a very successful show from 1957 to 1961. It ran for 20

Comedy Series – or sitcoms – flourished during these years. Many, such as “Amos ‘n’ Andy” (1951-53), originated on the radio; Some of them, like “Honeymoon” (1955), started as sketches in various shows. Several series focused on families, such as Mother (1949-57), Ozzie and Harriet’s Luck (1952-66) and Good Father (1954-60).

“I Love Lucy” (1951-57), a hit starring the husband-and-wife team of Lucille Ball and Desi Arnaz, revolutionized television. Scenes of Lucy stomping grapes in a vat of wine or being processed by chocolate on a candy assembly line shot in Hollywood, didn’t make it to New York like so much talk today. The sitcom was one of the first to be filmed in front of a studio audience, used at least three cameras, and set the tone for television entertainment for decades to come. It was also shot on 35 millimeter film, at a much higher quality than other systems used, allowing Ball and Arnaz to use reruns for profit. And while many Hispanic Americans faced severe discrimination, I Love Lucy—against the producers’ wishes—showcased the international marriage of several stars. It was America’s most watched television series in four of its six seasons, and other producers were reluctant to follow suit.

Short Lived And Easily Forgotten Tv Shows From The ’70s

End credits for ‘Eye of the Beholder’ episode of ‘Twilight Zone’ written by Rod Serling, first aired on November 11, 1960.

The founders of the early science program introduced a special effect. In Captain Video and The Videographer’s Video (1949-55), the first popular sci-fi show, the characters were put on a cheap projector using a projector, which was considered a novelty at the time.

A few months later, two more major episodes – “Tom Corbett, Space Cadet” and “Space Cruiser” (both 1950-55) – had more money and a bigger appeal to young viewers. It was issued as a police station showing in the 30’s

Century, “Space Cruiser” featured Commander Buzz Cory and his crew armed with equipment such as ray-guns and a helmet-based “helmet” machine that could extract images from a person’s brain.

The Relationship Between Television And Culture

Adult science fiction was not far behind. The episode warned viewers about alien invasions ready to abduct human bodies or time-travel fugitives hiding in present-day California. “Fable of Tomorrow” (1951-53) and the “Science Fiction Theater” documentary


Quizzes were must-see TV in the 1950s. Viewers tested their skills or watched contestants selected from studio monitors solve puzzles or face crazy challenges to win money or prizes from sponsors. In peak season, 22 games and quizzes are shown each week.

“Truth or Consequences” (1950-58) was on the radio for 10 years before it became a television show. Therefore, the contestants were faced with trick questions, and when they failed to answer, they had to perform crazy, embarrassing exercises, such as dressing up a monkey in children’s clothes or leading a course that prevented them from going through the studio against an Olympic athlete. disguised as an old woman. The show continued, on and off, into the mid-1960s, and was revived in various ways.

The Pride Of The Family

In 1958-59, a scandal shook viewers’ beliefs about reality television, after a disgruntled contestant on “Twenty-One” (1956-58) blew the whistle on the producers who were feeding the results to the contestants. University professor Charles Van Doren won up to $129,000 before he was forced to confess in 1959. No law was passed, but the discovery of the “falsification” of this and other shows led to a jury trial. In response, the network temporarily removed several test shows from their networks.

‘Howdy Doody’ stars (L-R): Lou Anderson as Clarabel the Clown, Howdy Doody, Bob Smith as Buffalo Bob Smith

Pioneering children’s television focused on children’s comedy, but popular shows also appealed to adults. In the soap opera world of “Cockla, Fran and Ollie” (1947-1957), comedian and singer Fran Ellison went wild with Ollie, a one-tooth dragon and other characters created by puppeteer and creator Bur Tilstrom. According to the Television Academy, where the show reached, its ratings were compared to those of Milton Berle and his staff received up to 15,000 letters a day.

The “Howdy Doody Show” (1947-60) introduced children to the town of Doodyville, with a circus full of silent marionettes — the name is red, brown on the head — and the characters Buffalo Bob and Clarabelle, the mute, big-footed. the clown was sometimes seen snorting seltzer up Buffalo Bob’s nose. The show’s highest ratings were confirmed when Audie ran the “President of All Children” campaign in 1948, and the show received 60,000 click-to-clicks – about a third of all American homes had a television at the time.

How ‘all In The Family’ Changed American Tv Forever

When “Captain Kangaroo” (1955-84) appeared on the small screen with good character, respect and good acting, the entertainment became huge. Bob Keeshan (who played Clarebell in “Howdy Doody” before becoming a captain) showed off his videos of going with tigers on speedboats or of curious children on adventure-animal adventures.

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